Alex Wrekk has been volunteering at the IPRC since 2003. She has been involved with independent publishing for over a decade and has published her zine, Brainscan, since 1997 as well as many other projects along the way. Alex runs Small World Buttons and enjoys creative re-use and a good beer.
AnnMarie O’Malley is the IPRC Outreach Coordinator. Ms. O’Malley has a Bachelor of Arts degree in Creative Writing and Social Work, and she is currently working on a collection of narrative essays. Her favorite things in life are good books, clean white pages and her trusty bicycle. She has been making and collaborating on zines since she was 15 years old.

Ayleen Crotty is a communications and marketing graphic designer for supported bike events. She is the director of the bike film festival Filmed by Bike, a host on the KBOO Bike Show and the editor of ORbike.com. Ayleen got her start in communications with a one-page fact sheet (before she knew it was a zine) in 1991.
Dan Hack has been around the IPRC since the very earliest days, teaching mimeograph and other awesomely archaic printing methods. He is a mining engineer and the creator of the serialized novel “The Faithful.”
Debbie West is a multi-media artist and creative and life coach. She is committed to helping other artists on their journeys and loves facilitating creative groups. Debbie works in linoleum and woodblock printmaking and prints on letterpress at the IPRC.
Gretchin Lair is a creative advocate who founded Scarlet Star Studios
(www.scarletstarstudios.com) in 2004 to encourage people to make stuff. She joined the Board of Trillium Artisans in 2007 to help increase the revenue and support of independent artisans in Portland.
Gillian Beck picked up her first Print Gocco at a thrift shop in Japan six years ago and has been fuelling the paper-correspondence movement ever since. Check out some examples of her work at halfempty.etsy.com.
Iris Porter returns back to Portland from Nova Scotia to teach us what she’s learned about self-publishing and print arts. She has self published DIYinPDX and DIYinHFX, two books documenting the do-it-yourselfers of Portland and Halifax. Fun fact: she also letterpress printed for the first time at the IPRC back in 2001.
Jake Anderson is the mastermind and impresario behind the Tape Mountain empire. Tape Mountain is perhaps the only record label that prints CD covers and promotional calendars by mimeo.
Jordan Rein moved to Portland to attend Lewis and Clark College, where he studied graphic arts. He is concurrently a designer at a local firm and an avid world-traveler with an inquiring eye towards all things cutting-edge in the industry.
Jovencio de la Paz in an artist working in Portland, Oregon. His work focuses on the rich history of Eastern bookforms as a way to explore contemporary issues of identity politics. www.jovenciodelapaz.com

Justin Hocking was hired as the IPRC’s Executive Director in the fall of 2006. He holds an MFA in creative writing from Colorado State University, where he also taught as an instructor of writing and literature. Before coming to the IPRC, he worked in the New York City publishing industry, and continues to acquire and edit countercultural books for Citadel Underground press. He is a frequent contributor to Thrasher magazine and the author of thirteen books about skateboarding.
Katy Meegan is a volunteer at the IPRC. She studied and worked at the Minnesota Center for Book Arts, honing her skills in bookbinding, papermaking and printmaking. She is also a cofounder of TUP zine and KeeganMeegan press and bindery.
Keegan Wenkman is the founder of www.onefootinfront.com, and a weekly volunteer at the IPRC. He is also a cofounder of TUP zine and KeeganMeegan press and bindery.
Ken Walker aka Carolina Ken is an experienced teacher in papermaking, book arts, & printmaking with a MFA in printmaking and book arts from the University of Iowa (2004). He is from Louisiana and moved to Oregon in 1980 from South Carolina to surf. Ken has been a carpenter for 30+ years.
Kohel Haver is a lawyer and arts advocate specializing in copyright and publishing law. He is also proud to be among the founders of the IPRC and is a Zine author.
Marc de Giere has been a member since 2006 and began staffing in 2007. He is active in many forms of media, including radio, video, web design and good, old hands-on crafts. He also helps organize the Free School and the recent Grassroots Media Camp.
Marc Parker wrote his first zine in 1992. Zines about asthma, chess, and Russian authors, Saved by the Bell, mangos, call centers, and, especially, zines about Marc Parker. He’s made a load of them. Now he does a comic called Big Fucking Deal. It is adorable. Currently Marc is IPRC’s Zine Librarian.
Marilyn Zornado is author of “Adventures in Penland” and co-proprietor of Fremont Garden Press. She has taught bookbinding and calligraphy at the Oregon College of Art and Craft.
Mark Searcy before relocating to Portland, co-owned and operated Art Prostitute, the award winning, internationally distributed art and design publication, in addition to teaching design at the University of North Texas and Texas A&M-Commerce. Currently Mark is the Art Director at the Portland Mercury.
Mette Hornung Rankin, a half Dane, is a graphic designer by day and sleeper by night, with a penchant for pickled herring. Formally trained in all things print and informally entranced by all things design.
Moe Bowstern has been a member of the IPRC since its founding. The editor of Xtra Tuf zine, she is the 2007 winner of the Lilla Jewel Award for Xtra Tuf #5; the Strike Issue
Nickey Robare became trapped in the world of zines, along with punk rock and weird clothes, at the tender age of thirteen. Due to a short attention span, she dabbles in as many activities as possible, including dancing, sewing, baking, and filmmaking. She has been volunteering at the IPRC since 2004.
Philip Cheaney has been involved with the IPRC since the spring of 2005 and is a weekly volunteer in the print shop. When not at the IPRC he tries to manage a small avalanche of personal and community projects (www.kitchensinkpdx.com) and rides his bike.

Polly Bresnick was an assistant editor and Spanish/English translator for McSweeney’s most recent Voice of Witness book, Underground America. Her poetry has been published in Sui Generis and Verse Noire, and she is currently seeking a publisher for a collection of folklore and poetry for children. She also loves to needlepoint.
Rebecca Gilbert is a founding member of the IPRC and a weekly volunteer in the print shop. She is also a worker-owner at Stumptown Printers, a small offset and letterpress shop in Portland, Oregon. Rebecca studied graphic design and book arts at PNCA & OCAC and creates the zine Napcore.
Shannon Buck has dedicated herself to printmaking for over five years. You can usually find her in the printroom at the IPRC and she will make you fall in love with linoleum blocks. You can find her work at loadedhipspress.com and she is a Print Shop supervisor on Thursdays at the IPRC.
Shu-Ju Wang has been making prints and artist’s books with the Print Gocco since 1999. Her work can be seen at Print Arts Northwest, the Multnomah County Central Library’s John Wilson Special Collections and online at www.fingerstothebone.com.
Sky Amann has been creating books for then years, with a special interest in binding techniques and comics. She has a BA from University of Oregon with a focus in bookbinding
Thomas King has lived all over the country but wound up in Portland to be near family. Along the way he has earned his MFA in creative writing from Eastern Washington University, worked on the editorial staffs of The Believer and Willow Springs magazines, and published scattered stories and interviews. He’s currently (still?) at work on his first novel.